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ERA Magazine

The ERA Magazine was a publication created by the Philomathean Society and was a predecessor to Philomel.

From 1964-1980, members of the Philomathean Society published ERA issues on a (bi)annual basis consisting of works (from Penn students) submitted to the editorial committee.

era

In 2018, Gordon Goodman (C'74) funded a project to digitize the ERA magazine collection and publish it for future study on the Philomathean website. Please find all the issues of ERA from its 16 year run below.

Link Staff Contents
1964 Fall (8.4MB)
  • Daniel Alkon (Editor-In-Chief)
  • Bruce Forrest (Consulting Editor)
  • Alan Oslick (Consulting Editor)
  • Leslie Jo Berkenfield (Design Editor)
  • Richard Golden (Advertising Manager)
  • Editorial (by Daniel Alkon)
  • Contributors
  • The Quest for a New Aristocratic Establishment (by E. Digby Baltzell)
  • Hide and Seek (by Peter Ellis)
  • Culture Attitudes on Man's Relation to Nature (by Anothony F.C. Wallace)
  • Cognitive Dissonance: Evaluation and Analysis (by Stanley Coren)
  • The Vestal (by Jerre Mangione)
  • A Study of Political Attitudes Within Business Groups (by Jay D. Kramer)
  • 1964 Winter (13.7MB)
  • Daniel Alkon (Editor)
  • Wayne Rebhorn (Consulting Editor)
  • Alexander Younger (Consulting Editor)
  • Richard Golden (Committee Member)
  • David Greenwald (Committee Member)
  • Letter from the President (by Gaylord P. Harnwell)
  • Editorial (by Daniel Alkon)
  • The Challenge to the Historial (by Roy F. Nichols)
  • The Foreign Relations of Ancient Russia from The Ninth to the Middle of the Thirteenth Century (A.V. Riasanovsky)
  • The Alchemy of Literature (Robert E. Spiller)
  • Dürrenmatt (Adolf D. Klarmann)
  • 1965 Spring (11.6MB)
  • Daniel Alkon (Editor-In-Chief)
  • Robert Grunberg (Consulting Editor, Advertising Manager)
  • Arlene Moskowitz (Design Editor, Circulation Manager)
  • Peter Ellis (Literary Editor)
  • Ralph Plotkin (Business Manager)
  • Linda Frey (Staff)
  • Judy Oslick (Staff)
  • Dennis Brown (Photographer)
  • 'Antony and Cleopatra' as a Work of Art (by Ralph M. Sargent)
  • Poem (by Charles Wyatt)
  • Le Roman d'Albin: Chant II (by Eric Sellin)
  • Poem (by Robert E. Jones)
  • A French Monk Sends for a Cask of Wine (by John F. Benton)
  • Poem (by Robert E. Jones)
  • Orpheus and the Fourth Georgic: Vergil on Nature and Civilization (by Charles Segal)
  • I am Called Cruel (by Robert E. Jones)
  • Poem (by Marc Egnal)
  • Charred (by Ruth Flick)
  • The Blind Date (by Rustine Unger)
  • A Conversation with Ralph Ellison (no author listed)
  • Poem (by Charles Wyatt)
  • Strained Perspective (by Eugene Stelzig)
  • The Foreign Relations of Ancient Russia from the Ninth to the Middle of the Thirteenth Century (by Alexander V. Riasanovsky)
  • Dolmen (by Eric Sellin)
  • 1966 Fall (7.9MB)
  • Eric Ross (Editor)
  • Richard Platt (Editorial Board)
  • Terry Means (Editorial Board)
  • Joseph Marchesani (Editorial Board)
  • Stephanie Schwartz (Editorial Board)
  • I Christen Thee...? (by Charles Cashdollar, Janet Liscarz, and Harry Taplin)
  • The Masculine Protest and Its Transformation (by Margin E. Wolfgang)
  • The Decpaitated Snowmen (by Vincent G. Dethier)
  • The Art of Nepal (by Stella Kramrisch)
  • Some Haiku (by Paul Hopper)
  • Avebury Excavations (by Aaron Poller)
  • The State of Me This Spring (by Dona Kagan)
  • The Unpopular John O'Hara (by Charles W. Bassett)
  • Fragment of an Ode (by Larry E. Kramer)
  • 1966 Spring (13.6MB)
  • Eric Ross (Editor)
  • Linda Frey (Editorial Board)
  • Richard Platt (Editorial Board)
  • Joseph Marchesani (Editorial Board)
  • David Soltz (Editorial Board)
  • Education and the Good Life in the Urban Setting (by E. A. Gutkind)
  • A Girl Beside the Sea (by Peter B. Murray)
  • On Keats' Last Days in Rome (by Eugene Stelzig)
  • The Social Consequences of Mendelism (by Conway Zirkle)
  • Vergil's Fourth Eclogue Some Memories, Thoughts, and a Translation (by Barrows Dunham)
  • Studies in the Logic of Religion (by Howard P. Kenig)
  • Plumbline (by Paul Hopper)
  • Call Me Ishmael (by Michael J. Hoffman)
  • Morningstar (by Peter B. Murray)
  • Calvin and Loyola: Rival Crusaders (by Richard Dunn)
  • 1967 Spring (7.8MB)
  • Eric Ross (Editor)
  • Richard Platt (Editorial Board)
  • Harry Silver (Editorial Board)
  • Stephanie Schwartz (Editorial Board)
  • Harry Silver (Editorial Board)
  • Cindy Weisfeld (Editorial Board)
  • Robert Gellman (Business Manager)
  • Stephen Hirschberg (Associate)
  • Terry Means (Associate)
  • Joseph Marchesani (Associate)
  • Aaron Poller(Associate)
  • An Absolutist, Theological View of Ethics (by Stephen E. Hirschberg)
  • Caroline (by Wesley D. Smith)
  • Andachtsbild for Jean Liberte (by Conni Billé Finnerty)
  • The Moral Aspect of Hamlet (by Leonard Levin)
  • Lancaster: Going Out (by Aaron Poller)
  • Escape (by Aaron Poller)
  • Reflections on Revolution (by Michael Zuckerman)
  • My Normal Development (by Philip S. Baum)
  • Andachtsbild for an Artist (by Cinne Billé Finnerty)
  • The Three Levels of Nature: Aspects of Shakespeare's Comedy (by Victorial Schwartz)
  • Twilight (by Paul Hopper)
  • Evening in West Philadelphia (by Paul Hopper)
  • 1968 Fall (8.5MB)
  • James Gibson (Editor)
  • David Haydon (Editor)
  • Thomas Brooks (Editorial Board)
  • Harry Silver (Editorial Board)
  • Robert Gellman (Editorial Board)
  • Christopher Warntz (Editorial Board)
  • Gordon Jenkins (Business Manager)
  • George Alter (Associate)
  • Patrick Dowdey (Associate)
  • On Ownership/Fall 1965 (by Jerome M. Segal)
  • In Search of Eternity (by Myra Love)
  • Thorstein Veblen: Scientism and the Modern Mood (by E. Digby Baltzell)
  • Dream (by André Leitner von Denck)
  • The Garden (by André Leitner von Denck)
  • To Trapper's Road, Concord, N.H., As It Will No Doubt Look In A Hundred Years (by André Leitner von Denck)
  • Nationalism in Asia (by Stanley Wolpert)
  • Three Poems (by Myra Love)
  • Waiting (by Myra Love)
  • 1969 Spring (7.3MB)
  • James Gibson (Editor)
  • David Haydon (Editor)
  • William DiCanzio (Editorial Board)
  • Harry Silver (Editorial Board)
  • Christopher Warntz (Editorial Board)
  • Gordon Jenkins (Business Manager)
  • George Alter (Associate)
  • Patrick Dowdey (Associate)
  • Socialist Theory And Conflict Causation: Investigication of an Analytical Framework (by Bruce A. Miller and Raymond Duval)
  • Poem (by Christopher Warntz)
  • Poem (by William DiCanzio)
  • Landscape in Blue (bby Mary Acosta)
  • Monads (For Gotfried Leibnitz) (by Christopher Warntz)
  • Under Hampton Roads (by Sandra Descert)
  • Translated from Hebbel's: Death of Siegfried (by Paul Hopper)
  • Islamic Guilds (by Nancy Ruth)
  • 1970 Spring (8.4MB)
  • Kevin Gray (Associate)
  • John Leopold (Associate)
  • John Huddleston (Associate)
  • Peter McLaughlin (Associate)
  • David Reid (Associate)
  • Harry Silver (Editorial Board)
  • Regina Shwabe (Editorial Board)
  • William DiCanzio (Editor)
  • A Who's Who of Black and White in The Blacks: A Claw Show (by JoAnne Meter)
  • A Poem (by Victor Bokris)
  • Moonface (by Walter Walker)
  • Old T.S. (by Fritz Hamilton)
  • An Academic Exercise (by W.M.D.)
  • That's Your Bag, Ace (by Stephen Eingorn)
  • I Am the Leper (by Robert Ost)
  • Continued in Medelssohn's Symphony #4, Fourth Movement (by W.M.D)
  • Helen of Troy (by Sophie Balcoff)
  • The Pharmaceutriae of Theocritus (by John Leopold)
  • 1970 Winter (8.7MB)
  • Regina Schwabe (Editor)
  • William Courshon (Associate Editor)
  • Victor Boris (Associate Editor)
  • Rob Reinhard (Associate Editor)
  • Joe Mellace (Associate Editor)
  • Gary Alan Fine (Associate Editor)
  • Howard Fine (Associate Editor)
  • Sophie Balcoff (Associate Editor)
  • David Reid (Associate Editor)
  • William DiCanzio (Associate Editor)
  • Peter Horan (Associate Editor)
  • The Tree - A Fable (by Sophie Balcoff)
  • "Winter Summons" (by Victor Bockris)
  • "Letter 10" (by W. B. Patrick)
  • "After Reading Chekhov" (by Sophie Balcoff)
  • An Interview with Andrew Wylie (by Victor Bockris)
  • Babylonian Mathematics (by Thomas Holtz)
  • Crudi Cieli (by Andria Thal)
  • New Social Responsibilities of the Humanities (by Humphrey Tonkin)
  • "Poet's Reflexion" (by Gordon Jenkins)
  • 1972 Spring (10.0MB)
  • Sophie Balcoff (Editor)
  • Gordon Fine (Associate Editor)
  • Peter Horan (Associate Editor)
  • W. L. Courshon (Associate Editor)
  • Thomas Stadnik (Associate Editor)
  • Dian Marie Sot (Associate Editor)
  • Lee Woods (Associate Editor)
  • Peter McLaughlin (Associate Editor)
  • Ken Girard (Associate Editor)
  • Kate Hoffman (Associate Editor)
  • Vanessa Marzipan (Associate Editor)
  • Avoidance (by Steven Winn)
  • You Don't Have to be Champollion To Read To Read Hieroglyphs (by Diane Marie Sot)
  • Surrealism in the Toy Department (by Michael Quigley)
  • Blackbirds (by Craig Williamson)
  • Eight Videotypes - Extracts from a Conversation with Aram Saroyan (by Victor Bockris)
  • Translations from Alain Bosquet (by W. L. Courshon)
  • Heir (by W. L. Courshon)
  • Tomatoes (by Margaret-Rose Ryan)
  • Photograph (by Todd Hardie)
  • Sylvia Plath and Confessional Poetry: The Body as Landscape (by Margaret-Rose Ryan)
  • The Rabbit Priest (by T. R. Hays)
  • 1974 Spring (9.1MB)
  • W. L. Courshon (Editor)
  • Gordon Goodman (Editor)
  • Marc Leslie Rovner (Editor)
  • Kate Llewellyn (Associate Editor)
  • Othman Brian Llewellyn (Associate Editor)
  • Steven Rothman (Associate Editor)
  • The Blue Field (by Kate Llewellyn)
  • Dance (by Marc Leslie Rovner)
  • Idyll (by Allen Chesney)
  • The Unicorn's Progress (by Linda Rabben)
  • Demipastoral (by Alan Berkowitz)
  • Elements (by Robert M. Sebastian)
  • Her Grandmother (by Jay Rogoff)
  • Come England, Touch Me (by Gordon Goodman)
  • Untitled (by Sylvie Steber)
  • The Cavalier (by Carol Feingold)
  • On His Atheism (by Robert Speiser)
  • Horace On Love Ode 4:1 (by Thomas A. Babich)
  • Brooklyn Boogie Down The Street (by Marc Leslie Rovner)
  • Reading Myself (by Philip Roth)
  • A Reading of Whitman's "Crossing Brooklyn Ferry" (by Maurice Kramer)
  • A Conversation with M. L. Rosenthal (by W. L. Courshon)
  • Browning's "Fra Lippo Lippi": A Study in the Use of Source Material (by Bobby Beitcher)
  • 1975 Spring (9.6MB)
  • Randolph M. Ostrow (Editor)
  • Gordon Goodman (Associate Editor)
  • Andrew Feinberg (Staff)
  • Lawrence M. Malcic (Staff)
  • Steven D. Rothman (Staff)
  • Stephen D. Bernstein(Staff)
  • In Europe (by Michael Marqusee)
  • Windsong At Tea-Time (by R. M. O.)
  • Untitled (by John G. Celeste)
  • Generations And Permutations (by Gordon Goodman)
  • Mona in Solitude (by Gordon Goodman)
  • Lason V. State, 12 SO. 2d 305 (by Robert Speiser)
  • Untitled (by Robert Speiser)
  • Loving Losing (by Robert Speiser)
  • Rain Fantasy (by Linda Lee Walker)
  • Realities (by Chip Horgan)
  • Untitled (by D. F. Clow)
  • Departure (by S. Steber)
  • The Man Killer
  • The Telegram (by Sue Schwartz)
  • Epitome (by Gary R. Greene)
  • Dedicated (by Gary R. Greene)
  • "Untitled" (by Gary R. Greene)
  • I Killed Suicide (by Pauleon Czikowsky)
  • Mechanization of a Mechanized System (by Pauleon Czikowsky)
  • Boy On a Bicycle (by Jay Rogoff)
  • The Golden Bull (by Kate Callen)
  • Post Morten (by Michael Marqusee)
  • Canon for Voices & Continuo (by Curtis Karnow)
  • Jurgen in Tralfamadore: A Comedy of Convergence (by Arthur M. Shapiro)
  • 1976 Spring (8.2MB)
  • Kate Lleweyln (Editor)
  • Dan Buron (Assistant Editor)
  • Alyce Collier (Staff)
  • Gordon Goodman (Staff)
  • Gary Greene (Staff)
  • Tim Horan (Staff)
  • Dennis Mahoney (Staff)
  • Lanny Schwartz (Staff)
  • Calvin Taylor (Staff)
  • Portrait of a Man in a Glass House (by Ezekiel Mphahlele)
  • Walking on Glass (by Deborah Burnham)
  • We Floated Out to Sleep Like (by Deborah Burnham)
  • The Spirit of the Place (by William Zaranka)
  • Dusk (by Dan Burton)
  • Untitled (by Rick Elion)
  • Night Tree (by Darcy Cummings)
  • Found Child (by Darcy Cummings)
  • Found Poems (by Kate Llewellyn)
  • (Photograph) (by Vicki de Toledo)
  • Is There Anybody There?: Some Black, Aesthetic Notes (by Houston Baker, Jr.)
  • A Lesson in Diction (by Barbara Herrnstein Smith)
  • You Ask Too Much (by Sue Schwartz)
  • (Drawing) (by Donna Harrison)
  • Sharling, Singing of Singing (by Carol Feingold)
  • (Drawing) (by Ahmed A. Gamal El Din)
  • The Family of Imran (by Michael Jennings)
  • The Red Mountain of Ohod (by Othman Llewellyn)
  • Lesson (by Scott D. Johnson)
  • Malik, Where Have You Gone? (by Gary Green)
  • (Photograph) (by Allen Behr)
  • John Milton Among the Nightingales (by Stuart Curran)
  • Nimbus (by Jay Panico)
  • Dogs (by Patience Merriman)
  • Peach Leather (by Patience Merriman)
  • (Photograph) (by Allen Behr)
  • de Chirico's Ozymandias (by Rolph Schaebin)
  • Footfall (by Gordon Goodman)
  • Chiaroscuro (by Lanny Schwartz)
  • Opening Day (by David Ogden)
  • Sestina: To Sea-Born Aphrodite (by Edward Irving)
  • Interlude (by Rosalind Carter)
  • Of treshing floors (by P. T. Bartis)
  • (Drawing) (by Othman Llewellyn)
  • (Calligraphy) (by Othman Llewellyn)
  • 1977 Spring (7.9MB)
  • Laurance Smith (Editor)
  • Sylvie Steber (Editor)
  • Tony Cuneo (Assistant Editor)
  • Barbara Burzynski (Staff)
  • Val-Jean Ofiesh (Staff)
  • Shep Siegel (Staff)
  • Victoria de Toledo (Staff)
  • (Drawing) (by Amy Hollander)
  • Poem for Profesor __ (by Mary Walsh)
  • Haiku #2 (by Greg Varallo)
  • In Arkansas (by Rochelle Crew)
  • Stripping (by Gordon Goodman)
  • (Photograph) (by DuWayne)
  • The Bachelor (by Miriam Kotzin)
  • Song for Lynne (by Matthew Levin)
  • Lady Armadillo (by Leon Czikowsky)
  • (Photograph) (by Cyndy Frost)
  • Mecox Bay (by John R. Shae)
  • Aubbade (by Mitchel Cantor)
  • Ripples (by Kimberly Yulesman)
  • (Photograph) (by John Eichman)
  • High Tension Towers (by Karen Drayne)
  • The Collier Comes (by Joseph Valente)
  • (Drawing) (by Anne Kraus)
  • A Note on the Meaning of Nature and the Question of Natural Justice (by Mark Blitz)
  • (Photograph) (by Josh Marwell/Philip Meese)
  • The Voice of a Duck (by Karen Rile)
  • (Photograph) (by Justin Schechter)
  • Batwoman at the Cocktail Party (by Miriam Kotzin)
  • Four-Headed Coign (by Matthew Levin)
  • A Near Miss of a Day (by Richard Brotmann)
  • Like an Ant (by Mark Kamine)
  • The Flim-Flam Man (by Val-Jean Ofiesh)
  • In Gamble with the Sport (by Mandy Uhry)
  • Turnbull Depressed (by Tim Houghton)
  • Novoacaine (by Charles DeLoggio)
  • (Photograph) (by Viki de Toledo)
  • Mint Condition (by Gordon Goodman)
  • Black Holes (by Karen Drayne)
  • Triple-Bodied Deity, Nereus (by Herbert L. Carson)
  • (Drawing) (by Sylvie Steber)
  • Let's Have One for Longfellow (by Franklin Bing)
  • Fifty Years Later (by Alisa Baker)
  • Haiku #6 (by Greg Varallo)
  • Lines for Kevin (by Gordon Goodman)
  • Pour Joel (by Barbara Diamond)
  • Whose Choices Change (by Sylvie Steber)
  • It's Cool (by Daniel Marcus)
  • (Photograph) (by Laurance Smith)
  • The Favorite (by John R. Shea)
  • Slow Dance (by Mark Kamine)
  • (Drawing) (by Lee Frei)
  • Picture by a Mentally Ill Patient in the Ohio State Hospital (by Tim Houghton)
  • Headhouse Square August 1976 (by Rolph Schaebin)
  • God and Boundless Time (by Val-Jean Ofiesh)
  • 1978 Spring (5.5MB)
  • Kathy Cairo (Editor)
  • Val-Jean Ofiesh (Editor)
  • Karen Drayne (Editorial Staff)
  • Elizabeth Kelly (Editorial Staff)
  • Alicia Morris (Editorial Staff)
  • Joshua Mostow (Editorial Staff)
  • Barbara Burzynski (Staff)
  • Tony Cuneo (Staff)
  • Sabina Hollish (Staff)
  • Sylvie Steber (Staff)
  • Vicki de Toledo (Staff)
  • Karen Rile (Staff)
  • (Photo) (by Jeanne Cohen)
  • Love Song of the Dead (by Karen Drayne)
  • Lion Gate (by Herbert L. Carson)
  • Hic Dragones (by Deborah Burnham)
  • Pan in Mallarme (by Cathy Silverstein)
  • Rudolf Hess (by Joshua Mostow)
  • The Tutor (by Darcy Cummings)
  • "here are your waters..." (by Carole Bernstein)
  • (Photo) (by Carolyn Fox)
  • The Concave Mattress (translated by Sami Khella)
  • Fragmented Table (by Peter McNamara)
  • (Drawing) (by Andrea Zemel)
  • Song (translated by O. Julian Plys)
  • Japanese poetry from the Man-yoshu (translated by Joshua Mostow)
  • (Calligraphy) (by Nancy Chung)
  • Third Rail (by Darcy Cummings)
  • Der Expresszug (by E. William Pastor)
  • (Photo) (by Jeanne Cohen)
  • Modern Tanka (by Peter McNamara)
  • A New Genre of Poetry (by David F. Chow)
  • (Drawing) (by Joanne Fink)
  • The Provost (by Bernard Mandel)
  • The Severance (translated by Musa H. I. Galaal and Lee Cassanelli)
  • "As hard as you've tried" (by Carole Bernstein)
  • Four Children Playing by the Sea (by Kate Llewellyn)
  • Breathing (by Deborah Burnham)
  • 1979 Spring (5.1MB)
  • Kathy Cairo (Editor)
  • Tony Cuneo (Staff)
  • Elizabeth Kelly (Staff)
  • Gouri Krishna (Staff)
  • Dennis Mahoney (Staff)
  • Joshua Mostow (Staff)
  • Val-Jean Ofiesh (Staff)
  • Karen Rile (Staff)
  • Alive and Well in Sanity (by Samantha Alexander)
  • This Journal (by Dennis Barone)
  • The Pond (by Barry Ivker)
  • Linoleum Cut (by Andrea Zemel)
  • "What Did I Say?" (by Bridget Collins)
  • First Afternoon in a New House (by Ira Caplin)
  • The Landing (by Kathy Cairo)
  • Tickling (by Carole Bernstein)
  • The Four Who Entered Paradise (by Judah Goldin)
  • Monoprint (by Raymond Rorke)
  • Trapped in Pain (by Alicia Morris)
  • Monoprint (by Raymond Rorke)
  • do all the angels fall from grace? (by Val-Jean Ofiesh)
  • Ventman (by Karen Rile)
  • Monoprint (by William Coe)
  • Amusement (by Emily Sims)
  • A Simple Note on What I Saw (by Emily Sims)
  • Self Portraits (by Karen Rile)
  • Linoleum Cut (by Ilona Fallieros)
  • My Brother (by Ira Caplan)
  • Winter Lullaby (by Karen Rile)
  • Fido and Aeneas (by Harold Goldner)
  • Wash Drawing (by Tony Cuneo)
  • The Sacrifice of Soren Kierkegaard (by Barry Ivker)
  • Monoprint (by Dana Day)
  • White Paper (by William Hemming)
  • Untitled (by Eve Zimmerman)
  • Study in Gerunds and Participles (by Samantha Alexander)
  • Don't Call Me, Ishmael (by Barry Ivker)
  • 1980 Spring (5.6MB)
  • Karen Rile (Editor)
  • Caren Bernstein (Editorial Staff)
  • Bing Mark (Editorial Staff)
  • Erika Nijenhuis (Editorial Staff)
  • Robert Rubinoff (Editorial Staff)
  • Rochelle Crew (Editorial Staff)
  • Eve Zimmerman (Editorial Staff)
  • Tony Cuneo (Art Staff)
  • Sami Khella (Art Staff)
  • Reciple (by Karen Rile)
  • Nickle bag and a fire engine (by Brandel France)
  • Print (by Raymond Rore)
  • Untitled (by Susan Elman)
  • Return from Russia (by Barry Ivker)
  • Occupied Territory (by A. V. Riasanovsky)
  • "Two Hippos" (by Tony Cuneo)
  • The Hippo (by Allan Marmorstein)
  • American Dreamer (by Gregory Marsella)
  • Drawing (by Pamella Whitman)
  • St. Apollonia (by Dr. Milton Asbell)
  • Medieval Painting Fragment (by Carole Bernstein)
  • Canning Against Winter (by Darcy Cummings)
  • After Reading Some Young Women Poets (by Michael Blankfort)
  • Facts vs Cynicism (by Alfred Baker Lewis)
  • Edmund Ironside (by Carole Bernstein)
  • Phaon (by Herbbert L. Carson)
  • "There is no other side" (by Michael Bragan)
  • Three Poems (by Bing Mark)
  • The Wanderer (by Donna Bujnowski)
  • Photograph (by Richard Johnson)
  • Luna Transcends it All (from a work in progress) (byJulian Orenstein)
  • Vincent at Saint-Rémy (by Karen Rile)
  • "Lifemask" (by Sami Khella)
  • The Third Musician (by Kenny Oser)
  • "Sin of Onan" (by Michael Bragan)
  • A Young Girl Forsees Her Death (by Eve Zimmerman)
  • No Wonder (by Bob Bires)
  • If you wish to have any of the works removed, contact moderator@philomathean.org and technojoy@philomathean.org.